Yesterday, before I turned it off, I heard a story on NPR about how in Spain, an old tradition is returning: hunting wild boar on horseback with spears.  To my mind, something happens when we enact a tradition that is no longer a necessity.  We no longer examine the thing itself, and maybe we divorce ourselves from the need that gave rise to the tradition in the first place.  We lose something important in the process.

In Hawaii, we had a day when we ate almost exclusively things grown on the island.  It was a cool experiment, and it was also devoid of any requirement.  If we grew tired of the experiment, we could go to the store.  Sometimes I spin wool into yarn and knit things to wear and use.  It is for the pure pleasure of it.  I could buy basically the same thing for a fraction of what un-spun wool and yarn cost.

I don’t exactly think I’m suggesting that continuing traditional practices are suspect.  Obviously, there can be artistry and pleasure involved in many things that are no longer essential, and I happen to think the world is sorely lacking in artistry and pleasure.  But I feel stumped by how to honor not only the historical necessity of something but also the fact that it is still a necessity in so many parts of the world.  And even if few Americans have to go hunt and gather for our food, more and more of us scrounge for the means to buy our food.

I am wondering how to carry my privilege honorably in a way that does not minimize the struggles of others (and perhaps even lightens their burden a bit).  Maybe something on the order of how Native Americans thanked (and likely many still do) the spirits of animals they hunted and killed for food.  I am eager for your thoughts about this.

There is something better about wearing fewer clothes.  (If you are confused, see Goulashesinhawaii.blogspot.com.)  The idea of wearing most of my Portland adornments – scarves, necklaces, rings, layers –  seems silly here, because bodies are enough.  I imagine most bodies would unfurl in this place.  Hawaii is the land equivalent of that amazing weightlessness of water that can make any one of us feel lithe and supple.

Experiencing this buoyant feeling means that an unexpected glance in a mirror or at a recently taken photo has the power to shock.  Moving around this place, I am a lanky, tanned, strong island woman – until reality asserts itself.  This is not a new phenomenon for a person to notice – being brought up short by the contrast between our felt sense and our outer image – but I’m not sure what to do with it.

It makes me think of the first time someone tried to explain Taoism to me.  I was maybe 13 at the time.  The Explainer may have been my brother, who would have been 14 and studying Ancient China at Yorktown Heights High School.  He said, “It’s like if you dream you’re a butterfly, and then you wake up as a human – who’s not to say you aren’t actually the butterfly dreaming you’re a person?”

We put more stock than we ought to in appearances and the way we appear to others.  We all know this.  How can we move through the world more as the person we feel we are? If we feel we are a butterfly, what should it matter that someone else might not see us that way?  I believe this is what my professional and personal life are about: wanting us all to dare to be the butterflies we are.

First of all, I find myself with my family in Hawaii.  Kaua’i, to be precise.  If you’d like to check out pictures et al. we are blogging at goulashesinhawaii.blogspot.com.

One of the first things I read after arriving was a Ms. Magazine we brought with us, and it talked about how the current food trend a la Michael Pollen and Barbara Kingsolver (in Animal, Vegetable, Miracle) is largely white and affluent-ish – and perhaps suggests women need to get back in the kitchen to boot (apparently Michael Pollen took on Betty Friedan for contributing to the erosion of women’s contentment with the kitchen).

As far as the latter goes, I mostly haven’t thought the food trends were presented as if they only applied to women.  But here on Kaua’i, I am thinking about the former charge.  Food here is really expensive.  And I don’t just mean organic hemp milk and its ilk.  A half gallon of regular whole milk costs almost $7.00.  So, we are shopping with the regular folk here in Kaua’i, which has me realizing two things.  The first thing is that this food movement – or whatever we want to call it – has to do better at addressing the needs (the financial needs) of working and middle class people.  I think Mark Bittman is doing a great job in this area but more would be better.

The second thing I realized is how much I insulate myself in Portland.  I know it so well I never have to go anywhere I am not familiar with.  And though I think it’s pretty human to prefer the familiar, it means, for example, that I only see the other people who can afford to shop at New Seasons and they do not a representative sample of Portlanders make.  I am woefully and willfully out of touch, and I might explore that topic another time here if I can do so without feeling too painfully sheepish about it.

This all puts me in mind of that saying about having to go halfway around the world to come face-to-face with oneself, except I only had to travel for 6 hours.

A few days ago, I left work around dusk.  As I climbed the hill beside the hospital, I noticed two people on the sidewalk, walking arm-in-arm, their long white canes swishing before them.  I had a twinge of concern: I tend to think of blind people as perhaps a bit more vulnerable than us sighted folk, and here it was getting dark.  How would they find their way around?  After all, they’re blind.

A beat later, I realized that, whether it’s day or nighttime, what helps these folks get around is not the presence of daylight, but rather those trusty canes.  It didn’t matter that it was getting dark.  They’d navigate Portland just as easily as they had before the sun went down.

There is something about coming up against my assumptions that I find delightful.

I go past the St. Francis of Assisi Church on my way to work about once every two weeks.  It has a soup kitchen and other outreach services for homeless folks, and so there are always a few of Portland’s homeless milling about.

There’s a guy who has been building quite the structure a few yards from the church right on the sidewalk.  If I’d encountered his home in the forest, it would be a clever, cozy home carved out of a tree or into the side of a knoll – there is that look about it, though it is largely made of materials more easily found in a city.  Large branches create some of the structure, and a dramatic larger piece that looks like ancient driftwood is stood on its end near the doorway.  This piece of wood arches up and away from his structure.

As I went by the other day, I noticed the man had added something to the high tip of the driftwood.  I noticed its tell-tale bright red liquid first, then realized what I was seeing.  The man had hung a hummingbird feeder.  I hope he gets some visitors.

An odd thing happened to me yesterday.  I’d been biking, and for some now-forgotten reason, I’d gotten off my bike and was walking the last few blocks to work.  A woman caught my attention.  She strongly reminded me of a colleague of mine, only it was as if this colleague had encountered such a sharp curve in the road of her life that she had slipped.  This woman’s hair was mashed on one side.  She wore a loose, stained dress and slippers.  She shuffled.  Then I literally shifted my gaze, and there was a man who strongly reminded me of a client of mine – only as if my client now found himself living under an overpass.

I see down-and-out (what a benign phrase) people every day out in the world.  But something about seeing these folks, who called others to mind, reminded me of the knife’s edge of fortune.  I had a teacher in graduate school who asked us on the first day of class: “What do you think the difference is between you and your clients?”  Her answer: Suffering.  For those who find themselves walking through our ordered worlds with their torn slips hanging below the hems of their dresses, and who mutter to themselves without benefit of a cell phone as camouflage, their pain has so overwhelmed their system that they aren’t interested in or capable of putting on the dog for the rest of us.

My long-ago teacher then said, “Imagine for a moment everyone you love.  Then imagine them all wiped out in some catastrophe.  How do you think your mind would respond to pain of that magnitude?”  Her point was that, given enough pain, we might also find ourselves looking fairly mentally ill.  That’s what struck me about yesterday: since these two strangers put me in mind of people I know and care about, I was reminded that, under certain circumstances, any of us could end up like these folks.

A writing teacher of mine is a homeless activist here in Portland.  She once asked students in a writing class to think about what would happen if we lost our homes.  All of us named people we knew who would take us in and help us.  “So, imagine,” she said, “that all these people we see on the streets have gone through their list, like your list, and for various reasons, there is now no one to help them.”

I am thinking of how close any of us is to that slide into destitution.  I am also thinking of how we are all a balm to each other against that happening.

My last two years of high school, I lived in Sweet Home, Oregon, a small logging and mill town.  One highlight of my junior year was taking a creative writing class from William Johnson – a teacher so old he’d taught my dad decades earlier.  He was completely bald on top with tufts of white hair that stood out above his ears.  He wore wire-rimmed glasses, and button-down shirts and slacks when he taught.

Mr. Johnson was a great fan of my writing, and the warmth of his support continued after I graduated.  We corresponded erratically during my undergraduate years and for awhile afterwards, too.  Then one weekend in February, I was scheduled to meet my parents in Sweet Home to visit my grandmother.  I thought it would be a good chance to see Mr. Johnson, too.

I phoned to see if he and I could meet for an hour or so while I was in town.  “Sarah and I are having some people for lunch on Saturday.  You should come for lunch, too.”  He wouldn’t take “no” for an answer, and that Saturday I left my grandmother’s home in plenty of time to drive to Foster, the adjacent town where he lived.

To get to Foster, one drives down the Santiam Highway and crosses a bridge by the reservoir.  What Mr. Johnson had neglected to tell me was that this Saturday, the reservoir hosted a four-wheel-drive mud race.  This is pretty much what it sounds like.  On the edge of the reservoir, contestants brought their four-wheel-drive vehicles and raced each other through a muddy course along its edge.

It was an alarmingly popular event, and when nearly an hour passed and I’d crept only a few yards toward the bridge to cross the reservoir, I turned back.  Nearly in tears, I found a pay phone and told Mr. Johnson I couldn’t make it.  He sounded impatient with me.  “Just go around the other way,” he chided.

When I finally wound my parents’ car up the twisty roads overlooking the reservoir, I found myself on a little knoll at a charming, rough-hewn cabin.  Mr. Johnson came out to greet me and gave me a big hug – the first in our history together.  “Come meet the rest,” he said, and flung his arm wide toward the front door.  Inside, his wife Sarah (“Second cousin to Katherine Anne Porter, you know”) sat at a round dining table with three other couples in their 50’s and 60’s.

Mr. Johnson said, “Katrina, I’d like you to meet Jim Mason; he’s a lover. And his wife Karen, she’s a lover, too.”  He went around the table this way, introducing everyone as a lover.  I felt paralyzed and off-balance.  Clearly I’d stumbled into some swinging, orgiastic small-town scene with my former grandfatherly English teacher at the center.

Was there some way I could beat a hasty retreat?  It seemed impossible since I’d exercised such tenacity to get there in the first place.  I clenched my jaw, already in a cold sweat and bracing for an excruciatingly uncomfortable lunch.

Then I realized it was Valentine’s Day.

The potato leek soup was delicious.

Being a kid can sometimes feel like those times when we mis-hear song lyrics.  Like going along thinking Jimi Hendrix was singing, “‘Scuse me while I kiss this guy” and being impressed at how ahead-of-its-time those lyrics were – and then somehow you figure out what everyone else seems to have known already, that he’s singing “while I kiss the sky.”

The other day, I took a couple safety pins out of a pair of pants and caught myself treating these pins with great care.  Somehow, viewing safety pins and rubber bands and paperclips as a scarce commodity has endured from my childhood.  In that earlier world of mine, certain things showed up randomly and unreliably and therefore needed to be saved and watched over.  Safety pins and rubber bands were useful, and paperclips I simply adored.  With all of them, I wasn’t sure how they appeared in my house, and so paid particular attention to them when they did.

In A Walton Christmas, a package comes in the mail and Grandma Walton carefully unties the string  and wraps it around the household ball of string, which was made of other string that had come their way.  String was scarce and you didn’t pass up the chance to save it.  In fact, that Christmas special confirmed what I already believed to be true, that there were certain things you couldn’t just go to the store and get.  You had to wait for them to appear and then treat them with the greatest of care.  (I did not grasp that the Waltons could have gone to the store and gotten string; they simply didn’t because it was the Depression and during the Depression you didn’t squander anything that came your way because that meant you didn’t have to go out and buy it.)

My grandparents lived through the Depression and my parents, siblings and I benefited from the frugal habits that helped them get through.  It meant that, growing up, towels and sheets and pillowcases were considered usable as long as they weren’t yet falling apart.  It meant that, if the elastic on your underpants was shot, you just made sure to wear them with pants and not a skirt.  When I left home for college and other far-flung parts, I took with me some of the sheets and towels from my childhood because it meant no one would have to buy new ones.  And that was good because, somehow, I didn’t realize you even really could buy these things.

Imagine my surprise and delight at the age of 33 when I complained about a particularly threadbare towel I swore I remembered from age 9, and Garth said, “So buy another one.”

‘Scuse me while I kiss this guy.

When I first reconnected with Garth in late 1993, he lived on the top floor of a duplex that was built into the side of a hill like a sod house.  The first thing that struck me when I entered his space were all the books.  You who know Garth know that he tends toward excess in some areas.  This tendency was in no area more evident than in his collection of books – though collection may be too highfalutin a word for what I encountered.  Collection implies lovingly-cherished, sometimes-autographed hard backs.  Garth’s collection consisted mostly of paperbacks.  He’d constructed several bookshelves for them, carefully measured to accommodate mass paperback-sized books without wasting space.  He’d made the bookshelves in a flurry of activity and did not put backs or brackets on any of them.  The result was vaguely Seuss-like, bookshelves crammed with books, tilting dramatically to the left or right.

About a week ago, I started thinking about qualities particular to Garth, qualities that might feel mundane or even occasionally annoying in our daily lives, but that I would miss were he not around. It started one morning as I made tea.  Garth was in the shower off our kitchen, singing “Zombie” by the Cranberries at the top of his lungs, singing with gusto for the sheer delight of being alive; of having a voice he could raise; of having a hot shower he could stand in; of having a house, and a job he could be on vacation from.  Of having a family that waited on the other side of the bathroom door to plan the day with him and tease him about his singing.

My 14-year-old was home sick on my writing day this week.  At first, I hacked away at a particularly challenging piece I’m writing, meaning to carry on with my day’s plans.  Then I really took a look at her, my ill daughter, sitting on the couch, knitting a scarf to give away next week at one of the homeless shelters in town.  I thought, Well, I could do that, too.

I have possessed for years an entire grocery sack full of navy blue yarn, given to me by my mom, who was given it by her long-time friend, Charlotte.  I had not, before now, had a project for it.  Now I do.  It is a deep pleasure to use something that holds in its twists strands of that loving friendship, which included a shared love of yarns and textiles.

My daughter and I sat side-by-side and knitted scarves.  We talked.  We watched a movie about Darfur so that I could be better educated about the situation there.  She shared with me some of what she knows that wasn’t part of the movie.  We talked about this one precious world we have; we talked about wanting to make it better.  We knitted into the afternoon.